Neighbor, LaMP

Higher Ground Ballroom
TICKETS


$25 Advance | $29 Day of Show

All Ages

The band Neighbor began over 35 years ago – they just didn’t know it yet. Childhood neighbors Richard James (vocals, keys) and Lyle Brewer (guitar) shared fence lines and melodies as they both grew and explored their own musical paths. The quartet became complete with the addition of Dan Kelly (bass) and Dean Johnston (drums) in 2019. Their creative incubation began with a weekly residency that grew in large part by the passion of their fans, the “Neighbors,” who continue to inspire the band as the fan base has expanded across the country.

With a diverse catalog of hundreds of songs, the musical juggernaut Neighbor has become one of the most exciting and unpredictable live bands on the music scene today. Neighbor combines ambitious composition, soulful balladry, and a fearless approach to their lengthy improvisations. Not boxed in by a single genre, their songwriting brings elements of Americana, Funk, Rock, Jazz, Soul and more. The band is putting pen to paper once again as they head back into the studio to begin work on their second album.

Come see what’s good in the Neighborhood.

LaMP is the project featuring Trey Anastasio Band/Soule Monde band mates, keyboardist Ray Paczkowski and drummer Russ Lawton, and Joe Russo’s Almost Dead guitarist Scott Metzger. In case it’s not obvious, the band takes its name from the first letters of each members’ surname.

The trio debuted at a show in December 2018 at Nectar’s in Burlington, Vermont. They then reconvened last summer and held recording sessions with Roger Stauss at Sugarhouse Soundworks in Burlington.

“With Russ and Ray being so much of a team as they are, they’ve done who knows how many gigs together? It’s been a good challenge to join them to try and add something to their Vulcan mind-meld level of music-making while adding something to the foundation they’ve built.

I’m in Brooklyn, and Russ and Ray are up in Vermont. We wrote everything via the internet. We figured out telecommuting and working from home before it was fashionable [laughs]. We’d usually start with Russ sending around a drumbeat he was working on, then Ray and I would put down ideas and we’d send them back and forth, editing everything as we went along. When we finally found some time to record, I drove up to Vermont, we took a day to flush everything out and rehearse, then spent two days recording.” Scott Metzger – Jambase