Lucy Dacus
Jay Som
Lucy Dacus with special guest Jay Som on Saturday, August 2 at Ben & Jerry’s Concerts on The Green at Shelburne Museum
$58.50 + $1 charity advance, $62.50 + 1 charity day of show
Children 12 and under are FREE ( + do not need a ticket )! Glass, pets, & outside alcohol are prohibited. Blankets and food are permitted. All events are rain or shine. All dates, acts, and ticket prices subject to change without notice.
Lucy Dacus
Three-time GRAMMY® award winner Lucy Dacus is a musician, performer, storyteller, and widely regarded as “one of the best songwriters of her generation” (Rolling Stone). She has released three full-length albums under her name: 2016’s No Burden, 2018’s Historian, and 2021’s Home Video. This year she’s back with her fourth studio album Forever Is A Feeling after a career-defining year with boygenius, her band with Phoebe Bridgers and Julien Baker. boygenius’ the record landed #1 on the UK, Irish and Dutch album charts, #1 on Billboard’s Vinyl Album chart, and #4 on Billboard 200 and was named a top 10 album of 2023 by Rolling Stone, The New York Times, Billboard, Variety, and many more. Dacus has performed on Saturday Night Live, The Late Show with Stephen Colbert, Late Night with Seth Meyers, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, and CBS This Morning. 2025’s Forever Is A Feeling will be released via Geffen/Interscope on 3/28.
Jay Som
Melina Duterte is a master of voice: Hers are dream pop songs that hint at a universe of her own creation. Recording as Jay Som since 2015, Duterte’s world of shy, swirling intimacies always contains a disarming ease, a sky-bent sparkle and a grounding indie-rock humility. In an era of burnout, the title track of her 2017 breakout, Everybody Works, remains a balm and an anthem.
Duterte’s life became a whirlwind in the wake of Everybody Works. In November of 2017, seeking a new environment, Duterte left her home of the Bay Area for Los Angeles. Reckoning with the relative instability of musicianhood, Duterte turned inward, tuning ever deeper into her own emotions and desires as a way of staying centered through huge changes.
The striking clarity of her new music reflects that shift. After months of poring over pools of demos, Duterte, now 25, essentially started over. She wrote most of her brilliant new album, Anak Ko—pronounced Anuhk-Ko—in a burst during a self-imposed week-long solo retreat to Joshua Tree. As in the past, Duterte recorded at home (in some songs, you can hear the washer/dryer near her bedroom) and remained the sole producer, engineer, and mixer. Honing in on simplicity and groove, refining her skills as a producer, Duterte cracked her sound open subtly, highlighting its best parts: She’s bloomed.
Inspired by the lush, poppy sounds of 80s bands such as Prefab Sprout, the Cure, and Cocteau Twins—as well as the ecstatic guitarwork of contemporary Vancouver band Weed—Anak Ko sounds dazzlingly tactile, and firmly present. The result is a refreshingly precise sound.
The title Anak Ko is the Tagalog phrase for “my child.” It was inspired by an unassuming text message from Duterte’s mother, who has always addressed her as such: Hi anak ko, I love you anak ko. “It’s an endearing thing to say, it feels comfortable,” Duterte reflects, likening the process of creating and releasing an album, too, to “birthing a child.” That sense of care charges Anak Ko, as does another concept Duterte has found herself circling back to: the importance of patience and kindness.